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羅羅老師自幼展露藝術天賦,創作三十餘年曾師承吳昊、龐均、吳承硯、李可梅和楊恩生等藝術大師,而其品牌「茶花」也延伸了系列極具特色的作品。 Florence has shown her artistic creative talents since early childhood. She was trained under several renowned professional artists, and created paintings and arts for more than 30 years. Her brand "Camellia" is a unique artwork that has been developed into well-known collection series. 羅羅老師創作的魅力在於廣納大師們的手法而融入女性的纖細特質,瑰麗的透明水彩為主複合媒材為輔形成富有蒙太奇文本的創作、也廣泛涉獵不同主題探討社會議題所以吸引演唱會、超跑、時尚、通訊等大企業邀請跨界藝術授權合作而其創作已獲廈門藏家計畫性收藏。 Florence’s charming success lies in the genius of combining hands of the masters with a woman’s delicate touch. The magnificent transparent watercolor is the main attraction using the multimedia to create a rich montage to explore current social issues, so it attracts cross-platform art licensing from concerts exhibitor, exotic car dealership, fashion, telecom, and other large businesses. 曾經她也和新北市、宜蘭和嘉義等文化局合作文化和生態繪本並活化博物館國際大展,近幾年更發展了一些城市和世界文化申遺的系列, 諸如:香港、桂林、杭州、蘇州崑曲牡丹亭、廈門鼓浪嶼和西安古文化等,期許形塑文化IP喚醒人們對歷史文化的重視 She has also cooperated with the Cultural Affairs Bureau in cultural and ecological paintings and brought vibrant colors to the Museum International Exhibition. In recent years, she has also developed a series of urban and world cultural revitalization influences, such as in: Hong Kong, Guilin, Hangzhou, Suzhou Kunqu Peony Garden, Xiamen Kulangsu, and X'ian heritage etc. Her key accomplishment is to forming culture IP to bring people's attention to historical and cultural sites. 跨界經驗 2016 當代藝術×超跑×MOMA時尚跨界 2015-16 「聯通幸福」年度指定雙品牌藝術家/中國聯通香港國際公司 2014 蘭陽博物館「白金傳奇」台灣大學和東京大學鰻魚生態大展展場主視覺/繪本創作 2012 北京王錚亮「我能給的天亮」演唱會舞台主視覺 2012 鶯歌國際雙年大展「觀象」展場主視覺/繪本創作 Cross Platform Highlights Arts x Exotic cars x MOMA fashion, 2016 Designated dual brand artist to create annual China Unicom Blessing artwork (HK), 2015-16 Lanyang Museum "Platinum Legend" main visual and picture book, National Taiwan University and the University of Tokyo eel ecological exhibition, 2014 Main visual for musician Wang Shuliang in Beijing concert ‘I Can Give You The Dawn’, 2012 Main visual and picture book in the Yingge International Biennial Exhibition ‘Ceramic Vision’, 2010 參展經歷 2019 「浮光.歸真」沉浸式主題故事場景藝術展 2017 「淬煉.轉身」旅荷導演舞蹈家Willam Lu跨界個展 2016 FBF德國法蘭克福國際書展 2015 ‘One World, Different Strokes Illustration Show’/紐約台灣經文處 2014 「當超跑遇上當代插畫-遊走荒謬」個展/豐群Top Auto超跑公司 2013 「意識跳格聯展」/台北藝境畫廊(Art Door Gallery) Exhibitions 2019 ‘Recovering Original Simplicity’the setting made solo exhibition, Chicony Plaza, Xian, China 2017 ‘Pealing Color’ Dancer, Director Willam Lu cross platform solo exhibition, Huiliu Sooyards Banmu Tang enterprise, Taiwan 2016 FBF Frankfurt International Book Fair, Germany 2015 ‘One World, Different Strokes Illustration Show’, New York Taiwan Economic and Cultural Office ,US 2014 ‘When Exotic Car Meets Contemporary Illustrator – The Walking Absurd Series ’ Solo Exhibition , Top Auto Exotic Car Company, Taiwan 2013 ‘Action III’ , Art Door Gallery, Taiwan
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  羅羅請我為2014年「遊走荒謬」跨界個展的畫冊寫序,我倍感榮幸。她說,過去幾年是一趟探險之旅。

  It is my great pleasure to write an introduction Florence Lo’s first solo exhibition: Walking Absurd 遊走荒謬. She tells me that the past few years has been an adventure for her.

  還記得第一次和羅羅見面,她送了我一張卡片,上面印有她的插畫,畫中有個小女孩拿著畫筆攀上樹梢彩繪著。當時的我被這幅深具童話色彩的插畫吸引,卻還不大明白畫裡面的精彩故事。漸漸認識羅羅之後才明白,她的作品就和她的人生一樣,都有耐人尋味的故事。

  I remember when I met Florence for the first time. She gave me a card featuring her illustration: a little girl holding a paint brush climbing to the top of tree. I was captivated by the fairytale style on the card but had no idea about the story behind it. As I grew more acquainted with Florence over time, I gradually realized that both her art and her life have many intriguing stories behind them.

  羅羅的人生並非一帆風順,從小成長和學習過程幾經波瀾,生命歷程更比一般人多了許多曲折。可以想像,一個曾經放棄職業生涯的藝術家,十餘年後人生際遇選擇再度復出,一時之間沒有任何資源,一切靠自己從零開始,多麼難能可貴。羅羅復出重新創作,有時是孤獨和無助的,付出與收穫不一定成正比,想必吃足苦頭。更難得的是,羅羅身兼自己作品的代言人,除了創作,也一手包辦策展與媒合的工作,這對於一般創作者而言,更是艱鉅的挑戰。如此的堅持,外人看來可能只為執著,卻是羅羅完成自我生命詮釋的必經歷程。因為在羅羅身上,我看見一個經過淬煉的靈魂,在生命最幽暗的一頁裡,她勇敢選擇自己的道路,用心看見自己,發現真正的東西,就像她的作品<微光>,在生命時間的走廊裡,必須拂去塵埃,才能看見屬意的光。

  Florence has a humble past. While growing up, she encountered many difficulties with her school, family, and career. Many events conspired in her life to ultimately suspend her career for over a decade; she was finally able to start over three years ago. She felt lonely and helpless when she finally resumed her career, and initially she saw few gains for many pains. Moreover, Florence often had to be agent, curator, and artist, which presented a big challenge to her. However, Florence's persistence and devotion are not just obstinance, as others might think, but a process for self-fulfillment. As in Florence’s artwork “Glimmer微光”, after the dust is wiped off comes brilliance. I see a spirit in her that time has tempered. It leads her to choose her own way, explore her true self, and discover the essence in the darkness of life.

  值得開心的是,當她選擇重新與心靈天賦開啟對話的那一刻起,似乎註定有更多懷抱夢想、不甘寂寞的靈魂,會陪著羅羅一起完成這趟探險之旅。所以,儘管創作過程是孤獨的,但羅羅透過她的作品,一步一步開啟更多的對話。她透過繪畫,開啟與建築、歷史、土地的人文對話;她透過藝術的整合,開啟與空間、電影、音樂、手作、商品、多媒體、商演的跨界對話;她透過繪本、工作坊和講座,開啟與孩子們的藝術對話。

  Fortunately, once Florence decided to apply her talents completely, she felt destined to venture into the art world. And she is not alone; she is accompanied by her dreams and soul. Therefore, Florence was not alone when creating these pieces because her works opened dialogues with people. She communicated with architecture, history, and culture through her works in a humanistic way. She integrated her art into a conversation among space, movies, music, crafts, merchandises, multimedia, and commercial performance. Through her illustrated books, workshops, and lectures, she even opened a conversation with children.

  「遊走荒謬」是一個里程碑,展覽集結了羅羅近年來最精采的創作主題系列,透過精湛的彩繪技法,融合了類似後現代、抽象畫、浮世繪等多元的風格色彩,創造出異想的世界與人物,試圖勾勒出自我反身性思考以及對人我社會的凝視與批判,每一幅作品都堪稱嘔心瀝血,背後的故事更值得細細咀嚼、慢慢品味,因為每次重新看待,彷彿都會從細節中發現「意外的收穫」。更難得的是,德不孤必有鄰,羅羅的努力,讓電影、音樂和設計界的大師和前輩們都願意跨刀相助,讓這次的跨界個展倍有看頭。

  As a major milestone for Florence, this solo exhibition presents the best of her recent work. Her sophisticated drawing skills mixed with postmodernism, abstract and Japanese ukiyo-e styles make a virtual world of illusion and persona. Through these works, she tries to outline a reflection on individuals and a critique on groups. Florence made best efforts to every single piece with full pleasant flavor to savor, and there is always a pleasant surprise if one views it again and examines the details. Praiseworthy, her hardworking virtue attracts many masters from the movies, music, and design industries to participate, all of which makes this an exhibition to look forward to.

  最後,我期待羅羅未來能有更多的作品問世,在這個虛幻的世界裡,透過藝術本質的創作,為給人們帶來更多真實的探險。我想借用動畫家華特迪士尼的話,與羅羅共勉之 :「繼續前進,打開新的門,嘗試新的事物,好奇心永遠會指引我們新的道路。 」

  Lastly, I look forward to Florence’s work in the near future, which will lead people to more real adventures through the essence of her art in the unreal world we live in. I would like to share the words from Walt Disney with her: “We keep moving forward, opening up new doors and doing new things, because we're curious...and curiosity keeps leading us down new paths.”

中國科技大學數位多媒體設計學系講師│王正德
Woody Wang
China University of Technology Department of Digital Multimedia Design,Lecturer
羅羅自幼展露藝術天賦,創作三十餘年曾師承藝術大師吳昊、吳承硯、李可梅、龐均、楊恩生和巴東等老師。
羅羅水彩的魅力在於承襲大師們歐系手法而融入女性的纖細特質,瑰麗的透明水彩為主輔以多元技法並形成富有蒙太奇場景游刃在繪本創作上、也廣泛涉獵不同主題且吸引博物館和知名大企業慕名跨界合作。
成為羅方君小姐的美國市場經記人是我的榮幸,她的畫吸引我以及美國客戶的特質不單只是純熟的水彩技術,其插畫內容的深度和溫度更令人印像深刻。方君關心時事,常以多元的社會現象為創作主題,以繪畫為媒介犀利地呈現她對周遭環境的探索及關懷,讓藝術和生活連結。她的畫冊擁有振奮人心的能量,值得收藏,細細品味。 -Nina Edwards

  I am honored to be Miss Florence Lo's illustration agent in the U.S. market. Her illustrations appeal to me and her American clients not only because of her skillful watercolor technique, but because of the depth and warmth of the content. Florence cares about current affairs, often employing diverse social phenomena as her creative themes. She then uses watercolor to render and explore her surroundings, intertwining art and life. Her art album carries an exciting energy: it is worth savoring again and again. -Nina Edwards Illustrator, Graphic Designer, Artist Agent, and Art instructor Metropolitan Miss Design Studio
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